![]() The track selection will be familiar to any casual Cave fan, with two of his best known songs, Into My Arms and Red Right Hand both featuring. ![]() Some of the covers even rival Cave’s versions for effectiveness – A Weeping Song and The Ship Song are both gorgeous renditions with Smith being perfectly backed by the Lips’ trademark woozy electronica. Girl In Amber still manages to sound impossibly sad and slightly eerie, and O Children builds steadily upwards in its intensity. Cave’s songs, usually so full of menace, mystique and melancholy, are given new light under Smith’s light, airy voice, and the fact that she was unfamiliar with the source material means that no tracks are treated with any over-reverence.Īll the covers are pretty faithful to the originals, so there shouldn’t be too much outrage from any Cave purists. It’s a concept that really shouldn’t work, but somehow does. When discussing a collaboration, Coyne suggested to Smith that they perform some Nick Cave songs – an artist 50 years her senior who she’d never heard of before. ![]() Lead singer Wayne Coyne noticed her from the crowd, befriended her family, and has acted as a musical mentor to Smith over the last few years. The seed for Where The Viaduct Looms was sown when Nell Smith went to see The Flaming Lips in Calgary dressed as a parrot. It should, therefore, come as no surprise to anyone that their latest record is a collection of Nick Cave & The Bad Seeds cover versions, with a 14-year-old girl from Leeds on lead vocals. Whether it be an album consisting of four separate CDs designed to be played simultaneously (1997’s Zaireeka), performing in a literal bubble during the Covid-19 pandemic, or recording an experimental psych-rock record with Miley Cyrus, the Oklahoma band do not stick to a predictable path. It’s fair to say that The Flaming Lips do things a little bit differently to most.
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